8 Fashion Mistakes You're Probably Making
 | ZNO English Practise Test eight |  |
Y'all are going to read an article almost the actress Harriet Walter.
For questions 1-8, cull the respond А-D which you think fits best co-ordinate to the text.
Harriet Walter has written a fascinating volume almost her profession. Benedicte Page reports.
It is non often that an experienced actor with a high public contour volition sit to answer in depth the ordinary theatregoer'due south questions: how do yous put together a character which isn't your own?; what is it like to perform the same play nighttime after night?; or but, why do you do it? Harriet Walter was prompted to write Other People's Shoes: Thoughts on Interim by a sense that many people's interest in theatre extended beyond the scope of entertainment chit-chat. 'I was asked very intelligent, probing questions by people who weren't in the profession, from taxi drivers to dinner-party hosts to people in shopping queues. Information technology fabricated me realise that people have an interest in what nosotros do which goes across evidence concern gossip,' she says.
Other People s Shoes avoids insider gossip and, more often than not, autobiography: 'If events in my life had had a huge direct influence, I would have put them in, but they didn't,' Harriet says, though she does explain how her parents' divorce was a factor in her career. But the focus of the book is to share - remarkably openly -the within experience of the stage and the rehearsal room, aiming to supplant the faux sense of mystery with a more than realistic understanding and respect for the profession.
'In that location's a sure double edge to the publicity an actor can become in the newspapers: it gives you attending but, by giving it to you lot, simultaneously criticises you,' Harriet says. 'People ask you to talk virtually yourself and then say, "Oh, actors are so self-centred." And the "audio-bite" diversity of journalism, which touches on many things but never allows yous to go into them in depth, leaves y'all with a sort of autograph which reinforces prejudices and myths.'
Harriet's career began in the 1970s and has included theatre performances with the Royal Shakespeare Company and telly and film roles. She writes wittily nigh the embarras¬sments of the rehearsal room, as actors try out their half-formed ideas. And she is at pains to demystify the theatre: the question 'How do yous practise the same play every nighttime?' is answered past a simple comparison with the familiar motorcar journey yous take every day, which presents a slightly different challenge each time. 'I was trying to get everyone to understand it isn't this line SO extraordinary mystery and you're not visited by some spiritual inspiration every nighttime.'
Harriet's ain acting mode is to build upward a graphic symbol piece by piece. She says that this process is not widely understood: 'There'southward no intelligent vocabulary out at that place for discussing the craft of building characters. Reviews of an histrion's performance which appear in the newspapers are more often than not based on whether the reviewer likes the actors or non. Information technology'southward not about whether they are being skilful or not, or how intelligent their choices are.'
There remains something mysterious almost slipping into 'other people's shoes': 'It's something like falling in love,' Harriet says. 'When you're in beloved with someone, you lot get in and out of separateness and togetherness. It'due south similar with interim and you can skid in and out of a character. Once a character has been built, it remains with you, at the finish of a phone line, as it were, waiting for your phone call.'
Harriet includes her early on piece of work in Other People s Shoes - 'I wanted to split up myself from those who say, "What an idiot I was, what a load of nonsense we all talked in those days!"; information technology wasn't all rubbish, and information technology has affected how I approach my work and my audiences.' And she retains from those days her conventionalities in the vital role of the theatre
1 Harriet Walter decided to write her book because she
| A | was tired of answering people'due south questions near acting. |
| B | knew people liked to read about show business gossip. |
| C | wanted to entertain people through her writing. |
| D | wanted to satisfy people's curiosity nearly acting in the theatre. |
2 In paragraph two, we learn that Harriet'south book aims to
| A | correct some of the impressions people take of the theatre. |
| B | relate important details virtually her ain life story. |
| C | analyse the difficulties of a career in the theatre. |
| D | tell the truth about some of the actors she has worked with. |
3 What trouble practise actors have with newspaper publicity?
| A | It never focuses on the actors who deserve information technology. |
| B | It often does more harm than good. |
| C | It never reports what actors have actually said. |
| D | It ofttimes makes mistakes when reporting facts. |
4 Harriet uses the example of the automobile journey to show that
| A | acting can be tiresome as well every bit rewarding. |
| B | actors do not find it piece of cake to effort new ideas. |
| C | actors do not deserve the praise they receive. |
| D | acting shares characteristics with other repetitive activities. |
5 What does 'it' refer to in paragraph 4?
| A | facing a unlike challenge |
| B | taking a familiar car journey |
| C | interim in the same play every night |
| D | working with fellow actors |
6 Harriet criticises theatre reviewers because they
| A | do not give plenty recognition to the art of character acting. |
| B | do not realise that some parts are more difficult to human activity than others. |
| C | choose the incorrect kinds of plays to review. |
| D | suggest that certain actors accept an easy job. |
7 Harriet says that subsequently actors have played a particular character, they.
| A | may be asked to play other similar characters. |
| B | may get a bit similar the character. |
| C | will never want to play the part once again. |
| D | volition never forget how to play the part. |
viii What does Harriet say about her early work?
| A | Information technology has been a valuable influence on the work she has done since. |
| B | It was completely unlike from the kind of work she does now. |
| C | She finds it embarrassing to remember that catamenia of her life. |
| D | She is annoyed when people criticise the piece of work she did then. |
| YOUR Answer TASK 1 | # | A | B | C | D |
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| 8 |
You are going to read a mag article well-nigh a daughter and the chore she does.
Seven sentences have been removed from the commodity.
Choose from the sentences A-H the one which fits each gap (9-15).
There is one extra sentence which you do not demand to use.
| YOUR ANSWER TASK 2 | # | A | B | C | D | Eastward | F | G | H |
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| xiii | |||||||||
| 14 | |||||||||
| 15 |
Yous are going to read an article about people who changed their jobs.
For questions 16-xxx, cull the people A-D.
The people may be chosen more than than in one case.
| YOUR ANSWER Chore 3 | # | A | B | C | D | East | F | G | H |
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| xix | |||||||||
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| 30 |
For questions 31-42, read the text beneath and determine which answer А-D best fits each gap.
One of the most hard merely rewarding of pastimes is mount climbing. The modern climber must (31)_____ many different skills. Rock climbing (32)_____ a combination of gymnastic ability, imagination and observation, but possibly the most necessary skill is beingness able to (33)_____ out how much weight a item rock will (34)_____ Mountaineers climb in groups of three or 4, each climber at a distance of approximately six metres from the next. Commonly one person climbs while the other climbers (35)_____ concord of the rope. The most experienced climber goes beginning and (36)_____ the other climbers which way to go, making the rope secure then that it is (37)_____ for the others to follow.
With much mountain climbing, snow skills (38)_____ a very important part. Ice axes are used for (39)_____ steps into the snow and for testing the ground. Climbers ever tie themselves together and then that, if the leader falls, he or she can be held by the others and (xl)_____ dorsum to safety. The number of dangers (41)_____ past climbers is almost endless. And the (42)_____ of oxygen at high altitudes makes life even more difficult for mountaineers.
| 31 | A ain | B hold | C command | D possess |
| 32 | A requires | B insists | C calls | D orders |
| 33 | A work | B try | C stand up | D set |
| 34 | A supply | B provide | C support | D offer |
| 35 | A keep | B stay | C go on | D maintain |
| 36 | A indicates | B signals | C points | D shows |
| 37 | A safe | B sure | C undecayed | D reliable |
| 38 | A human action | B do | C play | D make |
| 39 | A cutting | B tearing | C breaking | D splitting |
| xl | A given | B pulled | C put | D sent |
| 41 | A marked | B touched | C felt | D faced |
| 42 | A need | B gap | C lack | D demand |
| YOUR Respond TASK iv | # | A | B | C | D |
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